‘tender is the news of spring ’

 After being assaulted, I turned to nature, more specifically bird watching, to help cope and distract from the pain that I was in. I began to draw birds and research how they interacted with one another. I learned they mourn. And they learn. And they linger. A conventicle of magpies brings offerings to a member’s funeral in honor and mourning; the pheasant, stiffly presenting its plumage, is viciously poked to rouse the dead; a grounded robin is stalked through a grassy field; all under the patient eye of the owl, waiting. The hummingbird hangs as a trophy. As a prize, the loss of her life is of no concern. She is ever so swaying. Maybe her last breath can be heard in the quiet. Much like the persistent echoes of trauma that refuse to fade, the persistence of death lingers in her. The persistence has taken her body. The persistence has taken her flight. Peace and tranquility echo through these bodies, there is hope, there is trust, there is learning.                                                                                                             
 I work directly on delicate, thin, handcrafted papers such as rice and mulberry paper because of their labor-intensive and tactile qualities. Mulberry and rice papers allow me to take advantage of their soft, fur-like textures as they are torn and broken down under colored pencil and printing inks. My choices of illustrative heavy processes allow for a soft, delicate nature in my work. These techniques have allowed for personalization through shaping of my pieces, using cut-out contours of the animals and their environments to immerse both myself and the viewer in their world. The process brings life and depth to two-dimensional wood panels and cardboard, enhancing the delicate nature of these creatures, weaving together the stories of these animals and my own.